David Sivier
Magonia 88, May 2005
One of the strangest responses to the furore surrounding the release of Mel Gibson’s The Passion of the Christ in 2004 was that of veteran fringe writer, Stan Gooch. Other writers and academics feared the graphic depiction of Christ’s suffering would provoke a rise in violent anti-Semitism amid a resurgence of extreme right-wing political groups in Europe, and the renewed intifada in the Arab world, Gooch took the opportunity of the film’s release to expound his own theory that Christianity owed its origins to a secret lunar cult.
Magonia 88, May 2005
One of the strangest responses to the furore surrounding the release of Mel Gibson’s The Passion of the Christ in 2004 was that of veteran fringe writer, Stan Gooch. Other writers and academics feared the graphic depiction of Christ’s suffering would provoke a rise in violent anti-Semitism amid a resurgence of extreme right-wing political groups in Europe, and the renewed intifada in the Arab world, Gooch took the opportunity of the film’s release to expound his own theory that Christianity owed its origins to a secret lunar cult.

